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Interview with Kurd Alsleben and Antje Eske

Published 2013-03-14 16:11 - (21489 Reads)

The first decade of Computer Graphics - 2 -

Yoshiyuki Abe(1) and Akemi Ishijima(2)

The analogue computer is a system which outputs the voltage values of computational results in real time. If you modify the variables of wired equation circuitry on the patchboard, by changing the characteristics of oscillators or the value of potentiometers(5), a continuous voltage change produces a unique waveform signal. The aforementioned Herbert W. Franke connected the signal to the oscilloscope in the mid 1950s. Then 5 years later, Roland K. Fuchshuber(6) and Kurd Alsleben connected the outputs to a plotter for producing line drawing works.

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GA2024, the XXVII Generative Art Conference is planned in presence in Venice, at the UNESCO Regional Bureau for Science and Culture in Europe, on the 17-19 of December 2024. Visit the website https://generativeart.com for more info, for looking at the virtual 3D metaverse exhibition, and to read for free the book of proceedings of last events. You will find the call for papers on the generativeart.com website.

at https://artscience-ebookshop.com you can download the books of the proceedings of the last 26 Generative Art conferences (1998-2023), the books of Celestino Soddu and Enrica Colabella in Italian and English, and the book DIGITAL CIVILIZATION, Where Trees Move (2019) and Generative Art - Futuring Past (2019).

If you like to propose an article of yours about your generative approach, you can do it by sending your proposal to celestino.soddu at argenia.it. If your proposal is approved by the scientific board it will be published (it's free of charge)

If you like to be on the mailing list of Generative Art and GASATHJ, please send an email to celestino.soddu at argenia.it. We will send you no more than 3 emails per year

ARTICLES 7.6,5,4,3,2,1 issues, in progress

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  2. Orogeny of the Mists
  3. The Analogies of Science and Art: Generative Art in Chemistry
  4. Music and Metacreation
  5. In the beginning was color
  6. Twisted bodies: annihilating the aesthetic
  7. Topology Imagination Creativity and Generative Approach
  8. Anatomy of the Creative Process in Viento y Mar
  9. Open Waters [NorthWest Passage | Open Polar Sea | Arctic + Great Lakes Plastic]
  10. The Regeneration of the Earth After Its Destruction by the Capitalist Powers
  11. A Generative Art of Our Own Evolutionary Transmutation
  12. Found Systems
  13. The Slow Cancellation of the Future
  14. Music and Image Synchronisation. Acoustical and Optical Expression in Paplanina
  15. Kobane#3 for cello and interactive system
  16. Towards Generative Art and Brain Computer Interfaces
  17. FilmGrain
  18. The Style Machine: digital tactility through generative collaboration
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  20. Designing Generative Art. Mosaic concept, Creativity, and Idea in Generative Design
  21. Deconstruction/Reconstruction: A Pedagogic Method for Teaching Programming to Graphic Designers
  22. Random Hexagons and Other Pattern Continuities
  23. Surface and Structural Generative Processes in Music
  24. Automatic Synthesizing System of Choreography for Supporting Contemporary Dance Creation
  25. Degenerative Cultures
  26. Interview: Gordon Monro
  27. Coord - generative music improvisation
  28. Interview: Ming Xi Tang
  29. Generative semiotics at the foundations of literacy
  30. Interview: Umberto Roncoroni
  31. DRIFT – Virtual Sand in augmented Space
  32. Generative Dreams from Deep Belief Networks Generative Art and Deep Learning
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  34. Generative Film and Theories of Montage
  35. Futuring Past
  36. Johannes Vermeer : A generative artist ? So What ?
  37. Interview with Frieder Nake
  38. Generative Design Teaching 2013-14
  39. interview with Celestino Soddu by Nathan Shapira and Ricardo Gomes
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  42. Journey through Mathematical Parallel Universes
  43. Interview with Georg Nees
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  51. Artificial Beings for Generative Art
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  53. Generative design: an interpretation
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  56. Eternal Recurrence, Temporality, + Technology: how contemporary Computer Art can learn from early modes of Representing Time
  57. Generative Design
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  59. Bio-Structural Analogies: Arms, Wings And Mechanical Things
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  62. Variations around the Dragon Curve
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  66. Use of Art Media in Engineering and Scientific Education